Des captifs et des martyrs au Maroc. Étude d’un thème iconographique franciscain: les Martyrs du Maroc, son instrumentalisation et sa diffusion en Europe et en Amérique
Captives and martyrs in Morocco. Study of an iconographic franciscan theme: the Martyrs of Morocco, its instrumentalization and its diffusion in Europe and America
Abstract
The unwise spectator, in a rather naive way, may believe that the iconographic issue known as “The Martyrs of Morocco" - a frequent theme in Portugal, Italy, Germany and Spain as well as in other countries of America- stages an almost contemporary event of Portuguese expansion in North Africa. It is, at the same time, the consultation of the bibliography and study of a Francisco Henriques' painting, a Flemish painter working in Portugal in the 16th century, allow us to understand a distance between the historical fact and its representation. This gap is significant. We are trying here to retrace a symbolic and a spatial path covering the entire Mediterranean and a temporal one, taking place along almost eight centuries, up to the present day.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this Journal agree to the following terms:
Authors retain copyright and grant the Journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This Journal permits and encourages authors to post items submitted to the Journal on personal websites or institutional repositories both prior to and after publication, while providing bibliographic details that credit, if applicable, its publication in this Journal.