Teaching about religion in France. The role of works of art and iconography
Abstract
The lack of understanding of our cultural heritage was one of the major reasons raised twenty years ago to justify teaching about religions in schools. Though the issue went on to reach other subjects, works of art offer a privileged means by which to talk about how religion affects the lives of people in other civilisations, as they are as concrete as you can get. Taking a look, through examples, at how the place of art as a vector of teaching about religions evolved in the debate can shed some light on the assets and limits of this approach.
La perte de compréhension du patrimoine culturel fut parmi les premiers motifs invoqués en faveur d’un enseignement des faits religieux à l’école laïque, il y a une vingtaine d’années. Si l’argumentation s’est par la suite appuyée sur d’autres aspects, les œuvres d’art offrent une perspective privilégiée pour aborder, par la médiation d’un support concret, diverses facettes de la dimension du religieux dans une civilisation. Examiner la place de cette référence dans les évolutions du débat, à travers quelques exemples, peut éclairer les atouts et les limites d’une telle approche.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this Journal agree to the following terms:
Authors retain copyright and grant the Journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This Journal permits and encourages authors to post items submitted to the Journal on personal websites or institutional repositories both prior to and after publication, while providing bibliographic details that credit, if applicable, its publication in this Journal.